So, it’s finally happened. Russell Brand, comedian-turned-radical-political-podcaster, is being called out internationally about an alleged, decades-long history of sexual assault, rape, grooming, and predatory behavior toward women and girls. He was called out by an investigative article in the UK’s Sunday Times and a documentary exposé on Channel 4.
 
Here’s the Wikipedia condensed version:

Now, here’s the thing. Russell Brand has been in active recovery from substance abuse disorder—including alcohol and heroin, since he went into rehab in 2002. He’s been clean and sober for more than two decades, and he has shared publicly and generously about his journey in recovery. His book, Recovery: Freedom From Our Addictions, was a best-seller. In 2005, he entered rehab in the US for sex addiction, and since then, he has been very open about the harms of pornography. In his autobiography he wrote about having drawn up an extensive ‘victims list’ of women he had “wronged” as a result of his sexual addiction.

In addition he has shared his history of sexual abuse. When he was a little boy, he was sent to a tutor who, according to Brand, "when I got a question right – by way of congratulation – stuck his finger up my arse and felt my balls."  He told his mother, who told his father, and the tutoring stopped, but nothing was ever done. When he was a teenager, his father took him on an Asian "sex tourism" holiday, and his father rented a prostituted woman to "teach him to be a man." The father stayed in the room to watch.  According to Brand, he was advised to leave his childhood abuse out of the book, but, he wrote, "The reason I left it in was because I thought, if in Chapter Four you see this happen, when in Chapter Twelve, I'm rampaging round having it off with prostitutes, you might see a corollary."

All of this is to say, I believed in Brand's recovery. My first reaction to The Times account was, "Oh, my god! He’s going to own it! He’s going to do something that none of these predators have ever done before! He’s going to model 12-Step accountability, and he’s going to do it on a public stage!  He’s going to walk his talk and set an example for the world!"

My second reaction reinforced my first:   "He's no Harvey Weinstein! He's no Bill Cosby!  The man has reinvented himself!"

Russell Brand is no longer a man-boy, mommy-shocker, BBC clown-prince, bad-boy comedian. He’s a political commentator, and an extremely competent one. He has rebranded himself as a whistleblower who is not afraid to take on the government as well as huge corporations. Some consider him the king of conspiracy theories, but, whenever I have watched his podcast, he brings the receipts, posting and citing all of his sources. Impressive. Oh, and he has attracted something like seven million followers… He is actually giving mainstream media a run for the money.

An example: There is a memorable video on Youtube of Russell Brand receiving an award at the 2013 Gentlemans’ Quarterly [GQ] Annual Man of the Year ceremony.  This ceremony is sponsored by Hugo Boss, a leading global fashion and lifestyle company. Boris Johnson, then-mayor of London, has just made a joke about the Labour Party’s lack of support for the war in Syria. So, now Brand takes the stage and says:
 
“This environment is not designed for sincerity, you realize… We will struggle if we start bringing sincerity into the situation… I’m glad to grace the stage where Boris Johnson has just made light of the use of chemical weapons in Syria, meaning that GQ can now stand for “genocide quips.” I mention that only to make this next comment a bit lighter, because if any of you know a little bit about history and fashion will know that Hugo Boss made the uniforms for the Nazis, but… and the Nazis did have flaws, but, you know, they did look fucking fantastic…”

It is you who are being called to account for your past perpetration. Like the fashion giant, you are just wanting everyone to move on and celebrate who you are today. But, there were very real victims in your past collusion with a toxic, profoundly misogynist culture. And this time, Mr. Brand, it is we the people who have the receipts. There are dozens of videos of your comedy act, your hosting, your game show participation where you parade your history of misogynist predation as if it was a joke. There are videos of you grabbing, groping, kissing women. All of which are criminal acts, you realize. And then there are the women who were part of the BBC investigation. In the week following the publication of the story, there have been a half-dozen more who have come forward. And then there is the video clip from a talk show where you brag about having just exposed yourself to a woman in a bathroom minutes before going on air. In that encounter you called her by a name that was not hers and insisted you were going to continue calling her that and that you were going to "f*** her." She was terrified. It made a great joke on air.

Surely, with all that yoga, meditation, chanting, healthy lifestyle, recovery proselytizing, and especially with all of that whistleblowing, you are going to take responsibility for your actions... After all, you have made millions--millions!—by calling out the sleazy tactics of public figures who are trying to evade public accountability!

We are looking to you not to use the same-old, same-old, banal, corporate playbook of denial, lawyering up to intimidate and discourage potential witnesses, deflecting, and—of course—throwing the women and girls under the bus. We are looking to you not to take the easy way out, the rich man’s way out—which, of course, is to retraumatize your victims by discrediting them. Surely, you’re not going to play the victim, to pretend that these women are all gold-diggers or vindictive exes.  One of them was sixteen when you were thirty!  Surely you are not going to trash the child that she was!

Surely, with all of this, Mr. Brand, you are going to show up and own everything… You can’t possibly be that big of a phony and a hypocrite, can you?  Surely, now, with two daughters of your own, you can’t model this kind of misogyny? With all your pride about your working-class background, you can’t lean into the classism behind “out-lawyering” your victims? Surely, with two decades of sharing your recovery with the public, now that it’s crunch time, you’re going to “walk the talk,” aren’t you…?  Mr. Brand…?  Aren’t you…?

No, he's not.
 
And, actually, in anticipation of this kind of exposure, Brand has already been hiring high-power attorneys to threaten former alleged victims who have attempted to go public with their personal stories of rape and predatory behavior. He’s not owning a damn thing. He appears to feel completely entitled to retraumatize these women with legal threats.

Given the opportunity to respond to the allegations before the article went to press, Brand chose not to. Instead, he made his own video on September 16:

“Obviously, it’s been an extraordinary and distressing week, and I thank you very much for your support and for questioning the information that you’ve been presented with… But amidst this litany of astonishing rather baroque attacks, are some very serious allegations that I absolutely refute… These allegations pertain to the time when I was working in the mainstream, when I was in the newspapers all the time, when I was in the movies. And as I've written about extensively in my books, I was very, very promiscuous… Now, during that time of promiscuity, the relationships I had were absolutely always consensual… What I seriously refute are these very, very serious criminal allegations…”

Brand is revealing his defense strategy: The watchwords will be “promiscuity” and “consensual.” He is parsing his words to avoid libel. He says the “relationships” were consensual. He is not saying anything about the alleged acts. In fact, he has been accused of assault and rape within these relationships. These acts are criminal even if they transpire between married couples. He is leaning into the word “promiscuity,” which is defined as “characterized by many transient sexual relationships.” It’s also defined as “implying an undiscriminating or unselective approach.” “Promiscuity” would indicate that the only one harmed is himself, for dating women not in his league.  These words, “promiscuity” and “consensual” have been carefully chosen to counter the multiple charges of criminal behavior.

Predation, not promiscuity.  Nonconsensual, not consensual. According to the women coming forward, he ambushed women, he assaulted them, he propositioned them in the most intentionally vulgar and demeaning ways. He resorted repeatedly to coercive tactics, including emotional abuse, manipulation, physical intimidation, and force.

In addition to minimizing the allegations in his video, Brand  characterizes the professional investigation as some kind of conspiracy of “news media making phone calls and sending letters to people I know.” That’s actually what’s known in journalism as “research.” He goes on to say that it feels to him like a “serious and concerted agenda to control these kinds of [alternative] spaces and these kinds voices.” Then, to clarify, he adds, “And I mean my voice along with your voice.”  Summing up, he again qualifies his actions as promiscuous and consensual, but absolutely not criminal.   

After this, he went silent for a week as more women came forward and more criminal allegations were made. And then the hammer dropped: Youtube demonetized his channel. What does that mean? It means he can no longer earn ad revenue off his videos on that platform. (It’s estimated that he was making a million a year off Youtube ad revenue.)  In addition, his management company dropped him, his publisher is suspending any planned publications, and the remaining dates on his current tour have been postponed.

On September 22, Brand issued his second response video. In this video he is actively deploying his defense strategy: a full-throttle call to the faithful to support him as the victim of a massive, international, corporate witch-hunt that will soon engulf us all:

"By now, you're probably aware that the British government has asked big tech platforms to censor our online content and that some online platforms have complied with that request. What you may not know is that this happens in the context of the online safety bill which is a piece of UK legislation that grants sweeping surveillance and censorship powers and it's a law that's already been passed."

Yes, every citizen in the UK has reason to be very wary of this legislation. And, yes, Russell Brand has many corporate enemies. He is absolutely posing a threat to mainstream media. He is a consummate showman, and he brings that A-game to his podcast. He makes traditional broadcasters look like sleepwalkers. And his numbers (seven million) are insane. Yes, there are many powerful people who would like to see him taken down.

And, none of that invalidates the allegations by these ten women of decades-long sexual assault, rape, grooming, and predatory behavior... much of which is actually documented.

Back to this second video:  Brand directs his followers to move over to the platform Rumble, which will now be his primary platform. (Rumble has not demonetized him.) He outlines the topics of of his future broadcasts: the Trusted News Initiative he referenced earlier, the "deep state" and corporate collusion,” big pharma, media corruption and censorship. At the end, he begs his followers to stay with him as he needs them “now more than ever and more than I ever imagined I would.”

He made no mention of the allegations. It's now all completely about a global conspiracy to shut down his broadcast. 

Unquestionably, the stakes are extremely high for Brand. A public amends would be a confession of crimes, and, as of yesterday, he is already the subject of a police investigation. He stands to lose his wealth and spend the rest of his life in prison.

But the stakes are very high for his victims, and these are not just the women coming forward. The victims are also cultural. How many males modeled themselves on Brand, because they saw it worked. They saw him lifted up and richly compensated as a stud. They saw his rape jokes garnering huge laughs. How many women were silenced and disbelieved in the culture for whom he was a figurehead? 

The UK has no statute of limitations for sex crimes. Does Russell Brand want to become the test case for challenging that?  Does he want to see the UK adopt the kind of time limits for prosecution we have in the US? Because every victim in the US can tell you that these limits only protect the perpetrators. Many criminals move away from the person they used to be when they committed their crimes. Some go on to do good work. Does this mean they are no longer accountable? Brand, consistent with his perpetrations, is now marshaling his forces to set a rape culture precedent in the UK of non-accountability.

I want to say very clearly that Russell Brand is not in recovery from sex addiction. He's taken the playbook of rape culture to a new low in the last two weeks. And if his 12-Step sponsors are endorsing his decision to lawyer-up, to lie, to deny, to deflect, and to do everything he can to discredit his victims, then they are violating their own recovery just as he is violating his.

Mr. Brand, I call you out on your hypocrisy and your ongoing perpetrations. You, yes you, are part of one of the most heinous conspiracies in human history, the conspiracy to degrade, exploit, and subjugate women and girls. Your recovery is a complete sham, and however you attempt to justify your actions to yourself, all of your good works have now been utterly co-opted as part of your criminal cover-up, and they will be remembered in that light. We see you.

Originally published in off our backs women’s newsjournal, vol. 37, no. 2/3, 2008, Washington, DC.

Anna Politkovskaya was murdered last week [October 7, 2006]—executed, actually. Someone followed her into the elevator of her apartment building in Moscow, shot her four times: twice in the chest, once in the shoulder, and a final shot to the head. The pistol, its serial number filed off, was left next to the body, the sign of a contract killing.
 
Politkovskaya was a Russian journalist whose fearless, behind-the-scenes coverage of the Chechen war had exposed human-rights abuses in Russia’s southern province of Chechnya, where tens of thousands have been killed during two Kremlin campaigns. She documented not only the brutality of the conflict, but also the massive corruption and moral corrosion that was occurring at all levels and on both sides. She was not afraid to name names, and, on at least one occasion, to print the official’s phone number, inviting her readers to register their disgust personally.

In the months before her murder, she had been focusing on the Moscow-backed, Chechen Prime Minister Ramsan Kadyrov. In fact, just two days before her murder, on Kadyrov’s thirtieth birthday, she made him the subject of her last radio interview. The date was significant because it marked the day Kadyrov met the age eligibility requirement to stand for the post of president. Politkovskaya was well-aware of this fact and of his aspirations when she chose to accuse him of torture.
 
"Right now I have two photographs on my desk. I am conducting an investigation about torture today in Kadyrov’s prisons, today and yesterday. These are people who were abducted by the Kadyrovtsi [members of Kadyrov’s personal militia] for completely inexplicable reasons and who died… " (Politkovskaya/ RFE)  
 
At this point, the interviewer suggested that perhaps these were individual cases, representing only a small percentage of abuses. Politkovskaya responded in no uncertain terms:

"I’d like to call attention to the fact that we talk about “individual cases” only because these people aren’t our loved ones – it’s not my son, my brother, my husband. The photographs that I’m telling you about, these were bodies that had been horribly tortured. You can’t reduce this to a small percentage—it’s an enormous percentage." (Politkovskaya/ RFE)
 
Politkovskaya was as unequivocal regarding the Chechen prime minister:
 
"Kadyrov is the Stalin of our times. This is true for the Chechen people. He’s a coward armed to the teeth and surrounded by security guards… Personally I have only one dream for Kadyrov’s birthday: I dream of him someday sitting in the dock, in a trial that meets the strictest legal standards, with all of his crimes listed and investigated."(Politkovskaya/ RFE)
 
Was Politkovskaya’s assassination a response to this broadcast? Certainly she had been aware of the danger. Kadyrov had publicly vowed to murder her. According to her, “He actually said during a meeting of his government that Politkovskaya was a condemned woman.” (Hearst) But journalism is a dangerous profession in Russia. Twenty-three journalists had been killed there between 1996 and 2005, many in Chechnya, according to the Committee to Protect Journalists. At least twelve have been murdered in contract-style killings since Putin came to power. (AP)

Her unfinished, final article was published a week after her murder by the biweekly, independent Novaya Gazeta, her paper for the last seven years. The story included testimony from a Chechen torture victim and still photos from a video, which, according to the paper, said showed Chechen security forces beating two young men, apparently to death.
 
The mystery is not so much that Politkovskaya was killed, but where she found the courage to continue working in the face of so much danger. After all, she had been receiving death threats since 1999, when she first began documenting human rights abuses in Chechnya. (WiPC) Members of her family had been threatened. A few months before her murder, unknown assailants tried unsuccessfully to break into a car her daughter, Vera, was driving. As the obituary in the Guardian comments,

"She had already used up several of her nine lives as a reporter. She had been locked in a hole in the ground by Russian troops and threatened with rape, kidnapped, and poisoned by the FSB [former KGB] on the first flight to Rostov after the Beslan school siege in 2004… Her husband left her. Her son pleaded with her to stop. Her neighbors, cowed by the attentions of the FSB in an upmarket street in central Moscow, shunned her."(Hearst)
 
Who was this woman Anna Politkovskaya? Where did she find her courage? Was she super-human, immune to threats of torture and death?
 
Certainly, she could have chosen a different life. Born in 1958 in New York, the daughter of United Nations diplomats from the Ukraine, she had a privileged background and dual citizenry. After graduating from Moscow University in 1980, she wrote for the national daily Izvestia before switching to the smaller, independent presses. She had a husband and two children. Never envisioning herself as a war correspondent, Politkovskaya stated, “I was interested in reviving Russia’s pre-revolutionary tradition of writing about our social problems. That led me to writing about  the seven million refugees in our country. When the war started, it was that that led me down to Chechnya.” (Hearst)

Her first book,  A Dirty War: A Russian Reporter in Chechnya, published in 1999, told horrifying anecdotes of human rights abuses perpetrated by the Russian military. This was followed three years later by A Small Corner of Hell: Dispatches from Chechnya, where Politkovskaya continued to put a human face on the horrors of war. Her latest book, Putin’s War: Life in a Failing Democracy, was published last year. According to  The New York Times, it was “a searing portrait of a country in disarray and of the man at its helm.”
 
But professional drive cannot explain the courage of Politkovskaya. There must have been something more, something deeper.
 
There are some clues in her account of the Moscow theatre hostage crisis in 2003, when renegade, Chechen hostage-takers, requested her as a negotiator. They had seized a theatre and were holding 850 people hostage. Unlike the sparse and impersonal accounts of her torture in 2000, this report is surprisingly subjective:
 

Ultimately, the only thing that she was able to negotiate was permission to bring some water and juice to the hostages who had neither eaten nor drunk in two days. Early the next morning, Russian special forces stormed and gassed the theatre, killing forty-two of the hostage-takers and 129 hostages.
 
But what her account demonstrates is that, shaking and barely able to stand, she was human and terrified. At the same time, she could not ignore the verbal harassment of her companion on this dangerous and humanitarian mission. In what might seem to others a minor point under the circumstances, she is scrupulous about setting the record straight, and in doing so, recovers her spiritual poise. Her focus is on the suffering of those caught in the middle of the conflict, the hostages—and especially the children. But her sympathy for the hostages does not keep her from quoting with empathy her captors’ words, “You never give our children any food during mopping operations, so let yours suffer, too.” (Politkovskaya)
 
That was the power and the genius of Potlitkovskaya—her ability to hold onto the larger context of governments, political parties, military campaigns, while at the same time focusing on the often-contradictory details of individual experience and accountability. It was this focus on the immediate suffering, the outrage of the moment, that was the hallmark of her journalism—and possibly the secret behind her tremendous courage.

References:  

Associated Press. “Russian Reporter Killed in Moscow.”  7 October 2006
http://www.theglobeandmail.com/servlet/story/RTGAM.20061007.wrussian- journo1007/BNStory/International/home
 
Hearst, David. “Anna Politkovskaya: Crusading Russian Journalist Famed for her Exposés of Corruption and the Chechen War.” The Guardian 9 October 2006  http://www.guardian.co.uk/russia/article/0,,1890838,00.html
 
Maineville, Michael. “The Silencing of Anna Politkovskaya.” Spiegel Online 13 October 2006 http://www.spiegel.de/international/0,1518,442392,00.html
 
Politkovskaya, Anna. “Inside a Moscow Theater with the Chechen Rebels.” International Women’s Media Foundation, http://www.iwmf.org/features/anna
 
Politkovakay, Anna, interviewed by RFE/RL. “Russia: Anna Politkovskaya’s Last Interview.” Radio Free Europe/ Radio Liberty 9 October 2006 http://www.rferl.org/featuresarticle/2006/10/fc088b08-0cbd-4800-b2ff-f00f5494fa5e.html
 
Smith, Becky. “Independent Journalism Has Been Killed in Russia.” The Guardian 11 October 2006
http://www.guardian.co.uk/russia/article/0,,1896806,00.html
 
Writers in Prison Committee, International PEN. “International PEN Statement on the Murder of Russian Writer and Journalist, Anna Politkovskaya.” International Freedom of Expression Exchange 7 October 2006 http://www.ifex.org/en/content/view/full/78140

"The Bonobo Appropriation."  There, I fixed it. 
 
What am I talking about? I’m talking about The Bonobo Sisterhood: Revolution Through Female Alliance, a new book by Diane L. Rosenfeld.

I'm not happy with it. Read on...
 
The book is a passionate plea for women to model ourselves after the bonobos, a species of great apes. They are the last of the great apes to be scientifically described, because they weren’t recognized as a separate species until 1929. The bonobos began to get a lot of press during the Second Wave, because, unlike females from other species of great apes-- including humans, the bonobo females are empowered. They are not stalked, threatened, battered, raped, or murdered by the males. Their culture and their species are peaceful.

Dr.Rosenfeld, founding director of the Gender Violence Program at Harvard Law School, rightfully identifies the bonobos as a species from whom we have much to learn. In fact, she urges women to be “bonobos,” to hear the “bonobo call” of our sisters in distress, to subscribe to the “Declaration of Unified Independence from Patriarchal Violence” and the “Preamble to the Bonobo Sisterhood Constitution.” The entire book appears to be an homage to female bonobos and a call to us humans to reverse our evolutionary course away from the path of the patriarchally violent chimps and in the direction of the bonobos.

Rosenfeld’s credentials on the subject of violence against women are impressive: She was the  first Senior Counsel in the Office on Violence Against Women at the United States Department of Justice, and before that she was an Executive Assistant Attorney General at the Illinois Attorney General’s Office. She’s got a law degree the university of Wisconsin and a secondary law degree from Harvard.  Her research areas include “Title IX and campus sexual assault prevention and response; prevention of intimate partner homicide; and addressing commercial sexual exploitation of women and girls.”[from the Harvard Law website]

She has spent a long time studying what happens to us, and she has spent a long time studying the jurisprudence that enables perpetrators and betrays us into their hands over and over. I am, frankly, in awe of her focus and her activism.

What I am not in awe of is her appropriation of the bonobo. Her book is, frankly, homophobic.  What sets these female apes apart from all the other great apes is their sexuality. Take a look:

“More often than the males, female bonobos engage in mutual [that is "same-sex"] genital-rubbing behavior, possibly to bond socially with each other, thus forming a female nucleus of bonobo society. The bonding among females enables them to dominate most of the males. Adolescent females often leave their native community to join another community. This migration mixes the bonobo gene pools, providing genetic diversity. Sexual bonding with other females establishes these new females as members of the group.” [Wikipedia]

And how did this amazing adaptation arise, you ask? Well...

“Bonobo clitorises are larger and more externalized than in most mammals; while the weight of a young adolescent female bonobo 'is maybe half' that of a human teenager, she has a clitoris that is 'three times bigger than the human equivalent, and visible enough to waggle unmistakably as she walks.' In scientific literature, the female–female behavior of bonobos pressing genitals together is often referred to as genito-genital (GG) rubbing. This sexual activity happens within the immediate female bonobo community and sometimes outside of it. Ethologist Jonathan Balcombe stated that female bonobos rub their clitorises together rapidly for ten to twenty seconds, and this behavior, ‘which may be repeated in rapid succession, is usually accompanied by grinding, shrieking, and clitoral engorgement;’ he added that it is estimated that they engage in this practice ‘about once every two hours’ on average." [Wikipedia]

Tribadism once every two hours, all day, every day.  Females across the board preferring sex with each other to sex with males. Every two hours. Yeah, that would definitely change the culture, not to mention the course of history.

Dr. Rosenfeld makes absolutely ZERO mention of bonobo sexuality, except to note that the females, as a result of their remarkable sisterhood, have empowered themselves to have sexual autonomy. In other words, she puts the cart before the horse and then eliminates the horse altogether.

Understandably, that cart is not going anywhere.

Without female-to-female sexual bonding there is no bonobo sisterhood, no powerful alliance to counter male aggression, no acceptance of females into new tribes, no intergenerational female bonds.

Her omission is no oversight. It flies in the face of primatology and common sense. This evolved, large, frontally-located clitoris is the engine that drives the female bonding. In fact, primatologist Franz de Waal notes in his book Different: Gender Through the Eyes of a Primatologist that the levels of oxytocin, the “love drug,” are higher in the urine of female bonobos after sex with another female... higher than after sex with males. Enhanced oxytocin production has been seen as a hormone to facilitate childbirth, but it is probable that it significantly enhances bonding.

Dr. Rosenfeld wants to have her cake and eat it. She wants the bonobo empowerment, but  she wants it to happen in heteropatriarchy. In fact, she wants it to prop up heteronormativity. She wants to lift up the culture of bonobos as a model for human culture. She wants to write a best-selling book on the thesis that all women need to do is understand the potency of female bonding in order to emulate it. She doesn’t want to have to lose any readers by bringing up the persistent, round-the-clock, same-sex, genital activity that is the single most obvious, unique, and prominent behavioral trait of the female bonobos.

Because if she did, she might have to acknowledge that this same-sex activity among females, most notably among lesbians, does indeed lend itself to unique female bonding. Lesbian history shows us over and over how lesbian women have confronted males, established alternative all-female institutions, led the fight for feminist social reforms, and developed counter-cultural narratives to challenge the patriarchy.

Dr. Rosenfeld would have her readers believe that the bonobos were a species whose females achieved autonomy through mystically evolved feminist brains instead of enormous clitorises. She wants us to believe that heterosexual women can train themselves to think like them, and form alliances as enduring and as powerful as theirs just by using their heads.

This attitude is hugely disrespectful to the millions of women across the millennia who have not wanted to be terrorized and abused. Every woman knows that it is males who perpetrate and aggress against us and against our children, especially our daughters. If the solution was as simple as reading a book about the power of female alliances, I’m sure that book would have been written in hieroglyphs and those alliances would have been made centuries ago.

There is another omission in Rosenfeld’s book. She fails to note that even though chimp culture is patriarchal and the male chimpanzees will attack and batter female chimpanzees, there are no records of the males murdering the females. In fact, humans are the only great ape species that murders its females. After all, how anti-evolutionary can you get... murdering the mothers of the tribe? So, how is it that the chimps don’t murder the females?

Well... Chimpanzees are sexually segregated. The males prefer the company of males, and the females prefer the company of females. Females do not go off with male partners and live in isolation with them. The females stay together, raise their offspring together, and sleep together within earshot of each other. When they do mate, it is in the open and in daylight, where other chimps can witness and intervene.

But the female bonding of the chimps is not mentioned either. Advocating separatism would certainly alienate a heterosexual readership participating in a culture of monogamous pair-bonding.

The solution to male violence against women is not cherry-picking primate outcomes and mistaking them as starting points. The solution is not as simple as “sisterhood.”  If she had consulted with lesbians, studied our sexual bonding and alliances, she would have understood that our culture constitutes a resistance movement. It comes at a price.That price is precisely the stigma that Rosenfeld hopes to avoid with the unscientific omissions in her thesis.

I am reminded of the fable of the drunk person who is looking for their lost keys under the lamppost, when they dropped them somewhere in the dark. Rosenfeld’s search is a cheerful one, and positivity abounds. Lots of light. This won’t be hard at all. We just need to wake up to this new idea.  But the key to solving male violence lies outside the glow of the heteronormative, patriarchal lamppost. I would submit, considering the bonobo example, that heteronormativity is itself a patriarchal concept. Historically, it has never worked in our favor. The key to female autonomy lies in the culture and history of lesbians. The bonding is in the body, and it always will be.

Rosenfeld is extremely knowledgeable about the laws that hold women back. She advocates for changes in the laws around self-defense that acknowledge the patriarchal threats to women, that give us the right to participate in collective self-defense. She advocates for changes in conspiracy laws that acknowledge the ways that male alliances enable large-scale sexual abuse. And finally, she advocates for believing women as credible witnesses.

And yet she gaslights her readers, throwing lesbians under the bus, and arguing for the "logic of the bonobo sisterhood," when that very logic rests on a foundation of immediate gratification: seeking maximum sexual pleasure and finding it with other females.  The bonobo alliances are effect, not cause.

Rosenfeld has an whole section on the subject of compliance sex, excoriating it and expressing a longing for a social system that precludes unwanted sex.  The sad truth is that  her book is itself an artifact of compliance sex culture.

Self-defense? Check out the history of lesbians. Alliances to protect women and children? Collective self-defense? Check out the history of lesbians in any reform movement for women. Check out our history with female-only educational institutions, with the WAVES and the WAACs (female-only military branches), with the battered women's shelters, the rape crisis lines, the suffrage movement on two continents. Refusal of compliance sex? We are the champions. In fact, our resistance to unwanted sex is the source of our stigma. The very stigma that this book so rigidly and so glaringly enforces.

The Bonobo Sisterhood is a Trojan horse of a book, and I am calling the author to account for her damaging, disingenuous, homophobic, science-denial omissions and her appropriations.

Originally published in Rain and Thunder: A Radical Feminist Journal of Discussion and Activism, Summer 2010, Northampton, MA.

“Prior to my election, young Cherokee girls would never have thought that they might grow up and become chief.”--Wilma Mankiller
 
Wilma Mankiller, the first female Chief of the Cherokee Nations died on April 6, 2010. She served as their Principal Chief from and 1985 to 1995.
 
Her story contains and reflects the history of her people, retracing archetypal paths of displacement and homecoming. And her story is the story of a powerful woman—negotiating motherhood and intimate partnerships in a patriarchal landscape, meeting and overcoming resistance to serving in a leadership position. It is also a story of a person living with disabilities, both congenital and accident-related. Mankiller’s lifework was a steady demonstration of what could be possible, for an individual, for a community, for a nation. As her best-selling autobiography emphasizes, political and personal resistance require an understanding of place, knowledge of one’s history, spiritual roots, and a love of one’s people.

Mankiller’s father was Charley Mankiller, a Cherokee, and her mother, Irene, was of Dutch-Irish descent, but acculturated to Cherokee life. She had ten siblings and grew up on her father’s allotment, near Rocky Mountain, Oklahoma. She remembers her first ten years at “Mankiller Flats” with affection. She and her siblings would walk three miles each way to school, but, in Mankiller’s words, “I didn’t know the difference between being poor and having money until one day at school. A little girl… saw my flour-sack underwear while we were in the outhouse. She ran and told some other girls, and they all teased me about it. That was really the first time I had any inkling we were different.”
 
In 1950, the Bureau of Indian Affairs (BIA) came up with a plan for dealing with what they termed “the Indian Problem.” This new policy, ominously called “termination,” had been hatched by Dillon S. Myer, the then-commissioner of the BIA. His credentials for the job? He had been the director of the Japanese War Relocation Authority that, during World War II, had implemented the internment of Japanese-American citizens in camps in California. As Mankiller notes in her autobiography, “The Cherokees and other native tribes should have recognized that the assorted Trails of Tears of our ancestors served in large part as models for the removal of the Japanese immigrants and Japanese-Americas in the 1940’s.”

On August 1, 1953, Congress adopted a resolution making Indians “subject to the same laws and entitled to the same privileges and responsibilities as applicable to other citizens of the United States, to end their status as wards of the United States…”
 
This policy became the excuse for breaking up Native communities and putting tribal lands, no longer non-taxable, on the market. Mankiller’s family was offered the option of “relocation” to a large, urban city. Her father, having been taken from his home as a boy and forced to attend an Indian boarding school, was reluctant to leave his land, but eventually became persuaded that moving to San Francisco would offer a better future for his children.
 
Mankiller remembers this government facilitated relocation as her own personal “Trail of Tears”—referring to the infamous forced relocations from 1831 to 1838 of five autonomous tribes living in the Deep South. Four thousand of the 15,000 “relocated” Cherokee died from exposure, starvation, and disease during this forced march to Oklahoma.
 
“No one pointed a gun at me or at members of my family. No show of force was used. It was not necessary… I learned through this ordeal about the fear and anguish that occur when you give up your home, your community, and everything you have ever known to move far away to a strange place. I cried for days, not unlike the children who had stumbled down the Trail of Tears so many years before. I wept tears … tears from my history, from my tribe's past. They were Cherokee tears.”

The better life that the Mankillers had been promised turned out to be low-paying factory jobs and housing in an urban ghetto. Feeling neglected by her parents, who had their hands full supporting the large family, Mankiller became a rebellious teenager, running away to her grandmother’s ranch near Modesto. She had to run away five times, before her family finally allowed her to stay. She credits her year on the ranch as a turning point in her life, where she took an active role in the farm, shadowing her tough and outspoken grandmother.
 
At the end of this year, she moved back in with her family, who were now living in Hunter’s Point, an area near the shipyards that had been settled by African American families fleeing the Dust Bowl. By 1960, Hunter’s Point was a neighborhood filled with racial tension and gang violence. Mankiller writes how her years on these “mean streets” began to shape her perception of the world: “The women are especially strong. Each day they face daunting problem as they struggle just to survive. They are mothers not only of their children, but of the whole community.”

After high school, Mankiller moved in with her sister, taking a job as a clerical worker. She met an Ecuadoran student from an aristocratic family, and after a dizzying summer courtship, they flew to Reno to get married. Mankiller was seventeen. A year later, she gave birth to a daughter, and then two years later, she had a second daughter. She began to take classes at a community college and then, through a minorities educational opportunity program, she entered San Francisco State University. By the mid-1960’s the Bay Area was exploding politically and culturally. Mankiller describes taking her daughters to Haight-Ashbury: “…I think the people of the Haight had to be as curious about us as we were about them. My daughters wore shiny patent-leather shoes and little-girl dresses, and I looked like what I was at the time, a young housewife who liked to observe… but was unwilling to get fully involved.”
 
What changed all that was the Indian occupation of Alcatraz Island in the fall of 1969. The island had been occupied briefly five years earlier by a group of Sioux, as a symbolic act of reclamation. In a hundred-year-old Sioux treaty, the US government had agreed that any male Native American older than eighteen, whose tribe had been party to the treaty, could file for a homestead on abandoned or unused federal property. As the island had been declared surplus federal property since the closing of the penitentiary in 1963, Native American activists were claiming their right to take possession.

In October 1969, a fire of suspicious origin gutted the American Indian Center in San Francisco. In an act of protest, fourteen Native Americans landed on Alcatraz and claimed it in the name of “Indians of All Tribes.” Within a day, the Coast Guard arrived to escort the protesters off the island, but ten days later, nearly a hundred activists returned—this time with provisions, and the occupation lasted for nineteen months. During this time, Mankiller would visit the island with her daughters, running support for four of her siblings and their children who had joined the protest. In her words, “The occupation of Alcatraz excited me like nothing ever had before. It helped to center me and caused me to focus on my own rich and valuable Cherokee heritage.”
 
Mankiller was also feeling the effects of the Women’s Liberation Movement, and against her husband’s wishes, she bought herself a car and began driving to tribal events up and down the coast. She took a job directing the Native American Youth Center in East Oakland and began volunteering with the Pit River people in Northern California, helping them with their fierce battle to regain tribal land from a utility company. Meanwhile, her brother Richard had gone to Pine Ridge and participated in the shoot-out at Wounded Knee.
 
Mankiller separated from her husband and moved with her daughters to Oakland. Her husband, after picking up nine-year-old Gina for a trip to the circus, informed Mankiller that he would not be returning her. After an agonizing year of separation, he finally brought Gina back, and Mankiller, afraid that he would try to abduct her daughter again, decided it was time to go home to Oklahoma.

“I looked to the east, where the sun begins its daily journey. That was where I had to go, not to heal for a few weeks after a marital squabble, not to lay a loved one to rest and then leave again—I had to go back to stay.”
 
She finished her degree in social work and was hired to work for the Cherokee Nation as an economic stimulus coordinator. Her daughters were adapting to their new school, Mankiller was building her home on ancestral lands, and everything seemed on track—and then tragedy struck. She was in a car accident that crushed her face, her legs, and broke her ribs. Worst of all, her best friend had been the driver of the car that hit her, and she had not survived her injuries. The accident required two months’ hospitalization and seventeen surgeries, and it became another turning point.
 
Having come so close to dying—“walking into the spirit world,” as she put it—Mankiller began to turn toward the Cherokee spiritual path, seeing herself as “the woman who lived before and the woman who lives afterward.”
 
Shortly after this, she was diagnosed with myasthenia gravis and underwent surgery for removal of her thymus. Drawing on the strength of her ancestors and of present-day Cherokee medicine people, she regained her health, returning to her work “with a fury.” She founded the Cherokee Nation Community Development Department and managed the self-help construction project of a sixteen-mile water pipe that revitalized an impoverished Native community.

The project affirmed her belief that the Cherokee people had the capacity to solve their own problems, and it also brought her together with the man who would become her life partner and best friend—Charlie Soap, a full-blooded Cherokee who worked with the tribal Housing Authority.
 
In 1983 she was asked to run for deputy chief of the Cherokee Nation. Stunned by the sexism she encountered, Mankiller was accused of being an affront to God, and of making the Cherokees a national laughingstock. She even had foes within her own campaign, but she managed to win the election. In 1985, when the Principal Chief was called to Washington, she inherited his office for the remainder of his term, and then ran on her own for Principal Chief and was elected for two more terms. The Cherokee Nation membership is currently 290,000, making it the second largest tribe in the country, after the Navaho. Mankiller was not only the principal guardian of Cherokee tradition and customs, but she managed a budget of seventy-five million dollars. She saw that much of this income went into health care, education, and job training.

Mankiller had been diagnosed in her twenties with polycystic fibrosis, a genetic disease that ran in her family, and in 1990, she underwent an operation to replace one of her affected kidneys. Her brother Don was the donor.
 
In 1995, she made the decision to retire from public office, but she remained a force in tribal affairs, offering counsel and mediation. Later she taught as a guest professor Dartmouth College. In 1998, she received the Presidential Medal of Freedom from President Clinton. Mankiller’s health problems continued to escalate, and she was diagnosed with breast cancer and lymphoma. In 2010, the cancer metastasized to her pancreas, and she died on April 6, at the age of sixty-four.
 
Mankiller wrote, “Western movies always seemed to show Indian women washing clothes at the creek and men with a tomahawk or spear in their hands, adorned with lots of feathers. That image has stayed in some people's minds. Many think we’re either visionaries, ‘noble savages,’ squaw drudges or tragic alcoholics. We’re very rarely depicted as real people who have greater tenacity in terms of trying to hang on to our culture and values system than most people.” Her courageous life of leadership and activism has given the world a visible alternative to the racist stereotypes.

Originally published in  Womanist Theory and Research, Spring/ Summer 1996, Athens, GA and and off our backs, May 1996.

Terri Lynn Jewell, a self-described "Black lesbian feminist poet and writer," died on Sunday, November 26, 1995, from a self-inflicted gunshot wound. Jewell's work has appeared in more than 300 publications, including Sinister Wisdom, Woman of Power, Sojourner, Kuumba, The American Voice, Calyx, The African-American Review, and The Black Scholar. Her writings have also appeared in the anthologies Riding Desire and A Lesbian of Color Anthology. Her calendar of Black women's history, Our Names are Many, is scheduled for publication by Crossing Press in 1996, and at the time of her death she was editing a collection of Black lesbian poets.

Jewell was the editor of The Black Woman's Gumbo Ya Ya (Crossing Press, 1993), an anthology of quotations by Black women. In her introduction, she writes: "This collection was born out of my personal need for affirmation as a Black woman. I needed a coping mechanism for the growing conservatism in this nation... We are all here, calling out to and reaching one another, gathering at one another's feet and sharing the sustenance that has kept us alive and moving in the directions we must go."

The quotations she selected are a testimonial to the values she expressed in her life and in her writing:

"There's nothing neat and tidy about me, like a nice social revolution. With me goes a mad, passionate, insane, screaming world of ten thousand devils
and the man or God who lifts the lid off this suppressed world does so at his peril." - Bessie Head

"From my own study of the question, the colored woman deserves greater credit for what she has done and is doing than blame for what she cannot so soon overcome." - Fannie Barrier Williams

"... victory is often a thing deferred, and rarely at the summit of courage...
What is at the summit of courage, I think, is freedom. The freedom that
comes with the knowledge that no earthly power can break you; that an
unbroken spirit is the only thing you cannot live without; that in the end it is
the courage of conviction that moves things, that makes all change possible." - Paula Giddings

Copyright 2007 Carolyn Gage
Originally published on the Ugly Ducklings Campaign Website, 2007

Much of what the media portrays as women's sexuality looks suspiciously like dissociative identity disorder.  Marilyn Monroe's seductive behaviors, for example, bear more resemblance to those of a captive child appeasing an adult perpetrator than those of a grown woman engaging in an empowering and mutually satisfying sexual interaction.  And, indeed, why wouldn’t they? 
 
The pop cultural icon for female heterosexuality spent her childhood in eleven foster homes and one orphanage.  Eleven foster homes.  One orphanage.   By her own account, she was a survivor of multiple episodes of child sexual abuse.  Her mother?  Mentally ill and committed to an asylum. Shortly after Marilyn’s fifteenth birthday,  her legal guardian Grace McKee brokered a so-called marriage for her.  In other words, Marilyn Monroe was legally prostituted as a teenager.  Before she was twenty-five, she had already made three attempts at suicide; by thirty-six, she was dead.  Marilyn called her first husband “Daddy,” she called second husband (Joe Dimaggio) “Pa,” and she called third husband (Arthur Miller) “Pops.”  Apparently it wasn’t just her heart that belonged to daddy.

But this profoundly traumatized woman who died such a tragic, early death has become, not a symbol for a movement against child sexual abuse, but an icon of female sexuality.  What does it say about popular culture that its sex goddess was a desperately unhappy, suicidal,  incest survivor with dissociative identity disorders —  a woman who was  raised homeless, abandoned by one female guardian and prostituted by another?   Can anyone really believe that Marilyn Monroe’s sexuality existed independent of her personal history —  that it was not intimately connected with behaviors learned during a childhood in which she was perpetually at the mercy of strangers, and that, rather than being an attribute of empowerment, it was more the strategy of impotence?

What have been described as “seductive behaviors,” were, in fact, an aggregate of cues developed in a perpetrator-victim scenario, and it is instructive for women to note the universality of this code among males who choose to read them at face value.  Ask these same men to imitate Marilyn Monroe’s facial expressions, postures, or speech patterns, and they will be quick to tell you how ridiculous, how childish, how undignified  they feel. 

Apparently behaviors that are seen as natural and even desirable for women, are read as degrading and absurd for men.  The mystique of femininity or the bald facts of dominance?   The sexual behavior for women that patriarchy wants to idealize is identical to that of an enslaved child. 
 
At a recent auction of her personal belongings, a pair of Marilyn’s rhinestone-encrusted, stiletto-heel pumps was sold  for $48,000.   A high price to pay for shoes, but cheap compared to the cost of walking in them.

Originally published in Lesbian Connection, 2013

Caitlin Allen died Thursday, March 14, 2013 at the age of thirty-nine on her farm up in Starks, Maine.
 
She was an artist, a farmer, a farrier, a landscaper, and a carpenter. She moved to Maine from Pittsburgh in 1995 with her then-partner and lifelong friend Darlene Clute. They both worked with Woodfords and Community Partners, assisting developmentally disabled adults.
 
In 2000, she and her partner Jen Gilmore bought a small home in Starks, Maine. They remodeled this home and a few years later traded up to a farm with 30 acres and a barn. In addition to an assortment of cats and dogs, Barking Dog Farm would have horses, chickens, goats, turkeys, ducks… and a cow. Caitlin and Jen began a craft business, making homemade wooden lamps, and Caitlin also started an internet business of painting portraits of people’s animals. Together they launched their carpentry business, named “Women Do It Better.”

Caitlin participated in her local Big Sister program, and she would take her “little sister” on camping trips and trail rides. Her two nieces, Ariel and Mackenzie, adored her, and Mackenzie wrote in her journal: “Aunt Katy I have gotten all of my inspiration from you to be an artist now. I am following in your foot steps.”  Caitlin loved animals, especially horses, and was a skilled farrier. She could trim the hooves of the horses others were afraid to approach. Caitlin also wrote children’s books and played guitar, writing and singing her own songs.
 
She was actively engaged with lesbian culture, and she and Jen made the journey one year to the Michigan Womyn’s Music Festival. She would contribute articles and artwork to Maize: A Country Lesbian Magazine. For several years she was a member of the Feminist Spiritual Community in Portland, Maine, participating in weekly rituals.
 
She attended the University of Maine at Farmington and was working toward completing prerequisites for veterinary school when she became overwhelmed by conditions later diagnosed as Complex PTSD.
 
Caitlin was endlessly curious about the world she lived in, tremendously loyal and generous to her friends and neighbors, community-minded, and creative. She will be deeply missed by all who knew her.

Originally published in off our backs, vol. xxxiv, 2003 Washington, DC.

I began writing and researching lesbian literature in the early 1980’s. As a playwright, I was not just looking for my history, but I was searching for different paradigms and new/old archetypes from a culture that had been buried or appropriated. The so-called “classic” dramas were male narratives, obsessed with possession and overthrow, especially of father figures. The women were obstacles, rewards, or objects of exchange in the bloody transactions between men. This was not a template I could customize by the mere switching of pronouns.
 
And, of course, the so-called universal archetypes of this drama were happy housewives, glorying in their upwardly mobile marriages, or depressing martyrs and victims. The spunky women, like the mid-life, cast-off wife Medea, go mad with jealousy and murder their own children. The women excluded from male hierarchies waste their lives in futile gestures, like Antigone. The captive, raped, colonized survivor, like Cassandra, is doomed to a post-traumatic scenario of recounting her tale of atrocity to a population who will not or cannot believe her. And so on…

This was my “heritage” as a Western playwright. Obviously, I could not tell a lesbian story with these colonial archetypes or dominance paradigms. Nor did I want to write superficial lesbian sit-coms, or endless parodies or critiques of patriarchal drama for a rising elite of post-modern, faux feminists to consume. It is, of course, impossible to ignore this toxic theatre legacy, but rather than batter at the gates of this boys’ club in vain attempts to gain entry, I wanted to look back and down on it from the perspective of a fully-realized, lesbian-centered narrative.
 
Where would I turn for my narrative histories? Where was the lesbian-feminist equivalent of the Bible, or the Koran, or the Bhagavad Gita? Where was my Iliad, my Odyssey? Who would be my Homer?
 
And this is when I discovered the writings of Monique Wittig. I found them among the used paperbacks in a women’s bookstore in Portland, Oregon. The Lesbian Body. The Guérilières. The Opoponax. Lesbian Peoples: Material for a Dictionary. Wittig was generating archetypes and paradigms. She was writing about ancient matriarchal cultures that, paradoxically, were contemporaneous with ours. She was reclaiming goddesses, students of Sappho, the Vietnamese Trung sisters of 40 AD. She was not just going back in archeological time, but she was also going back in archetypal time by re-membering lesbian childhood from the eyes of the child in The Opoponax, bringing back the magical thinking of children, where the mythical beast of resistance, the opoponax, is congruent with the intense, wonder-filled discoveries of the developing mind.

"I am the opoponax. You must not provoke him all the time the way you do. If you have trouble combing your hair in the morning you mustn't be surprised. He is everywhere. He is in your hair. He is under your pillow when you go to sleep. Tonight he will make you itch all over so badly that you won't be able to go to sleep. When dawn comes behind the window tomorrow morning you will be able to see the opoponax sitting on the window sill. I am the opoponax."
 
Wittig was writing about the fluid social configurations of women not bounded by heteropatriarchal obsessions with virginity and paternity. She was writing about the volcanic fury that formerly enslaved women direct toward each other and toward themselves:
 
"Six of the women are none too many to hold her. Her mouth is open. Inarticulate words and cries are heard. She stamps the ground with her feet. She twists her arms to free them from the grip, she shakes her head in every direction. At a given moment she lets herself fall to the ground, she strikes the ground with her arms, she rolls about shrieking. Her mouth seizes the earth and spits it out. Her gums bleed. Words like death blood blood burn death war war war are heard. Then she tears her garments and bangs her head on the ground until she falls silent, done for. Four of the women carry her, singing, Behind my eyelids/ the dream has not reached my soul/ whether I sleep or wake/ there is no rest."

She was writing an eroticism that did not privilege the genitals, one that asked us to envision lesbian sexuality in radical new ways:
 
"The kaleidoscope game consists of inserting a handful of yellow blue pink mauve orange green violet flies beneath someone’s eyelids, m/ine for instance. They are really tiny flies minute insects, their peculiarity lies in the bizarre intensity of their colours. You place them between m/y eyelid and m/y eyeball despite m/y protestations and laughter."
 
She was also celebrating women’s capacity for savagery.
 
"The women say they have learned to rely on their own strength. They say they are aware of the force of their unity. They say, let those who call for a new language first learn violence. They say, let those who want to change the world first seize all the rifles. They say that they are starting from zero. They say that a new world is beginning."
 
Wittig reclaimed and venerated the intricacies of the vulva in the “feminaries” that were distributed among the girls of in her tribe of women warriors:
 
"The women say the feminary amuses the little girls. For instance three kinds of labia minora are mentioned there. The dwarf labia are triangular. Side by side, they form two narrow folds. They are almost invisible because the labia majora cover them. The moderate-sized labia minora resemble the flower of a lily. They are half-moon shaped or triangular. They can be seen in their entirety taut supple seething. The large labia spread out resemble a butterfly's wings. They are tall triangular or rectangular, very prominent."

Then, consistent with her commitment to anarchy, she has the feminaries destroyed:
 
"The women say that it may be that the feminaries have fulfilled their function. They say they have no means of knowing. They say that thoroughly indoctrinated as they are with ancient texts no longer to hand, these seem to them outdated. All they can do to avoid being encumbered with useless knowledge is to heap them up in the squares and set fire to them. That would be an excuse for celebrations."
 
Wittig is clear that patriarchal languages is a language of ownership, and that women must resist it:
 
"The women say, the language you speak poisons your glottis tongue palate lips. They say, the language you speak is made up of words that are killing you. They say, the language you speak is made up of signs that rightly speaking designate what men have appropriated. Whatever they have not laid hands on, whatever they have not pounced on like many-eyed birds of prey, does not appear in the language you speak"
 
"The women say, I refuse henceforward to speak this language, I refuse to mumble after them the words lack of penis lack of money lack of insignia lack of name. I refuse to pronounce the names of possession and non-possession. They say, If I take over the world, let it be to dispossess myself of it immediately, let it be to forge new links between myself and the world."

Wittig worked with some of the classical goddesses and myths, envisioning her lover at a gathering with Artemis, Aphrodite, Ishtar, Persephone, and host of other female deities. She retold the story of Orpheus and Eurydice, with a female protagonist descending into hell to bring back her reluctant, self-loathing lover, who begs her at every step to abandon her to her misery. She offers a paean to Sappho, describing a violet rain that irradiates the naked body of her beloved. In Lesbian Peoples: Material for a Dictionary, co-written with Sande Zeig, she not only reclaims all kinds of goddesses and mythical figures, but describes various ages (“Steam Age,” “the Concrete Age”), characterizing the present era as “the Glorious Age,” thereby attempting to perpetuate and memorialize a myth of her own making:
 
"For almost two milleniums lesbians had been represented with glories around their heads. This was mistaken for a sign of sanctity and was not yet recognized as a form of energy. When the companion lovers appeared to one another in their brilliance and were able to stand the sight, they caught and used this energy that they immediately called 'glorious.' From which comes the 'Glorious Age.'"

Wittig was, single-handedly, generating ancestral memories and cultural prototypes. She was, as she said, “Starting with zero.” And she did more than imagine a past and a future for lesbians. She realized them—that is, made them real—and then reported back to us from the center of that new reality. She was an anarchistic pioneer, smashing through men’s civilizations to reveal a primitive wildness and promise that have always existed in possibility.
 
 The obligatory and all-but-overtly sneering obituaries for Wittig in the mainstream press do not do her justice. They desiccate and desecrate her work in their attempts to get at it, but it remains inaccessible to outsiders. The succulence of Wittig’s writing is in the juice—which like the vaginal secretions she names “cyprine”– is distinctly lesbian.
 
The greatest tribute we can offer to this visionary foremother of lesbian-feminism is to take her writings to heart. And she has left us an injunction for this dazzling lesbian revolution that fluttered with such bizarre intensity behind her eyelids…

Listen:

Originally published in off our backs, March 1, 2006.

I met Tee Corinne at a women writers’ group in her home a few weeks after I moved to Southern Oregon, in 1988. I had just come out, and Tee was the first lesbian artist I had met whose art was for lesbians and from a lesbian perspective. I could not have found a more inspiring and revolutionary model.
 
Tee was born and grew up in Florida. Her mother introduced her to principles and techniques for making visual art. According to Tee, “I have seldom succeeded in keeping a diary, but I have almost always carried a drawing pad and, since, my eighth year, I have also had a camera.” 1
 
With a bachelor’s degree in printmaking and painting (with minors in English and history), she went on in 1968 to get an MFA in drawing and sculpture at Pratt Institute. After a few years of teaching and backpacking in Europe, she became attracted to the back-to-the-land movement and communal living. She was also, in her words, sliding into suicidal depression:

Something didn’t feel right. Nowadays they talk about over-achieving adult children of alcoholics and the problems they have with depression… Around the age of thirty I realized that art could no longer solve my problems… I found therapy, separated from my husband, became involved with women and joined the Women’s Movement. I felt better. 2
 
At forty-four, Tee recovered memories of being sexually molested at the age of six. .
I am coming to look on my suicidal years (13-29) through the lens of this information, and find, even then, strengths to be drawn upon: the strength of the survivor; the strength of talking which chips away at the killing silence; the knowledge of the value of my own life. It’s mine. I’ve paid for it.3

Tee’s photography traced the roadmap of her personal journey. In the early 1970’s, after moving to California, Tee began working on the San Francisco Sex Information Switchboard, where she claims she learned an appreciation of sexual information. She began researching erotic art by classical artists like Rembrandt and Michelangelo. At this time, the early Second Wave feminists were arguing that heterosexuality and erotic art objectified women, but Tee’s resistance took an alternate approach: …“sensuality at its best is transformative. If I had a sense of being in touch with God, it would be at the point of orgasm.” 4  
 
She became adept at representing lesbian sexuality in ways that would elude the male gaze. In 1982, she produced a series of photographs called Yantras of Womanlove. Concerned with protecting the privacy of her models, she used techniques involving multiple prints, solarization, images printed in negative, and multiple exposures. Tee consistently and conscientiously included women of color, fat women, older women, and women with disabilities as her subjects. Sometimes printers would refuse to print her works and art galleries would refuse to show it. In 1975, she self-published the Cunt Coloring Book, which is still in print today.
 

In the early 1980’s, Tee moved to Southern Oregon, becoming part of a community of lesbians and other women who were self-consciously creating and documenting a radical, women-only culture. Many of these women were living on “women’s lands,” rural separatist collectives and communes that had been founded in the 1970’s. She became a co-facilitator of the Feminist Photography Ovulars and a co-founder of The Blatant Image: A Magazine of Feminist Photography (1981-83). During the next decade, much of her work would focus on her experiences of growing up in an alcoholic family and being molested as a child.
 
My grandmother Mabel died when I was forty, leaving me a suitcase full of five generations of photographs… 5  Somewhere in the process of enlarging and coloring in the old photo images, I began to bring the past and present together, visually and psychically.6
 

During this period, Tee edited several anthologies of lesbian erotic fiction. As an editor, Tee was scrupulously respectful of class difference as it is reflected in writing, again modeling an authentic, not tokenized, diversity. She looked for “stories about how sexuality could work with the bodies we have, within our disparate personal histories.”7
 
In 2004, Tee’s partner of fourteen years, writer and social activist Beverly Anne Brown, was diagnosed with metastasized colon cancer and given a terminal diagnosis. Wanting to use something more immediate than darkroom techniques, Tee learned to use a digital camera and Adobe Photoshop in order to “push the polite boundaries of portraiture.”8 The result is the series “Cancer in Our Lives.”
 
After the death of her partner, Tee was diagnosed with a rare form of bile duct cancer. On August 27, 2006, she died quietly in her home. She was surrounded by a network of loving and supportive members of her community, who thoughtfully maintained a weblog in order to keep Tee’s wider, international community informed about her health.

In the monograph about her exhibit titled “Family,” Tee wrote:
 
If I look inside me, talk to the child within who, after all, is the one who originally wanted to be an artist, I find that she almost always knows how she wants my work to look: “Beautiful, in a big and powerful way.”9
 
Those words could stand as her epitaph. Tee, you will be missed.
 

Footnotes:
 
1. Tee Corinne, “Personal Statement,” http://www.varoregistry.com/corinne/pers.html
2. Tee Corinne, Family: Growing Up In an Alcoholic Family, (North Vancouver, B.C: Gallerie Publications, 1970), p. 3.
3. Ibid, p. 9.
4. Tee Corinne, interviewed by Barbara Kyne, http://www.queer-arts.org/archive/9809/corinne/corinne.html
5. Corinne, Family, p. 7.
6. Corinne, Family, p. 13.
7. Tee Corinne, Riding Desire, (Austin, Texas: Banned Books, 1990), p.viii).
8. Tee Corinne, “Colored Pictures” from “Cancer in Our Lives,” http://www.jeansirius.com/TeeACorinne/Colored_Pictures/
9. Corinne, Family, p. 13.