Carolyn Gage
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      • The Second Coming of Joan of Arc
      • La Seconde Venue de Jeanne d'Arc
      • La segunda llegada de Juana de Arco
      • Joana Dark - a re-volta
      • Die Wiederkehr von Jeanne d'Arc
      • Giovanna d'Arco - la rivolta
      • ВТОРОТО ПРИШЕСТВИЕ НА ЖАНА Д’АРК (Bulgarian tranlsation of The Second Coming of Joan
      • 贞德再临_中文 (Mandarin translation of The Second Coming of Joan of Arc)
      • The Last Reading of Charlotte Cushman
      • Crossing the Rapelands
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      • The Amazon All-Stars
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      • How to Write a Country-Western Song
      • Leading Ladies
      • Women on the Land
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      • The Anastasia Trials in the Court of Women
      • AXED!
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      • The Goddess Tour
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      • Ain't Got No - I Got Life
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      • The Boundary Trial of John Proctor
      • Cookin' with Typhoid Mary
      • The Countess and the Lesbians
      • The Drum Lesson
      • Easter Sunday
      • Entr'acte or The Night Eva Le Gallienne Was Raped
      • The Evil That Men Do: The Story of Thalidomide
      • Female Nude Seated
      • The Gage and Mr. Comstock
      • The Greatest Actress Who Ever Lived
      • Harriet Tubman Visits A Therapist
      • Head in the Game
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      • Jane Addams and the Devil Baby
      • A Labor Play
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      • Valerie Solanas At Matteawan
    • Short Short Plays >
      • 52 Pickup
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      • Black Eye
      • El Bobo
      • Brett Hears the Mountain Gods
      • Calamity Jane Sends a Message to Her Daughter
      • The Clarity of Pizza
      • The Great Fire
      • Hrotsvitha's Vision
      • The Intimacy Coordinator
      • The Ladies' Room
      • Miss Le Gallienne Announces the New Season
      • On the Other Hand
      • Patricide
      • The Pickle Play
    • Dramatic Adaptations >
      • Amy Lowell: In Her Own Words
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      • Deep Haven
      • El Bobo (one-act play)
      • El Bobo (short screenplay)
      • Emily & Sue >
        • Touring Production of Emily & Sue >
          • The Creative Team
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          • Open Me Carefully
      • Georgia and the Butch
      • I Have Come to Show You Death
      • Speak Fully The One Awful Word
      • We Too Are Drifting (Screenplay)
    • Special Index: Plays That Deal with Sexual Violence Against Women and Girls
    • Special Index: Plays Featuring Old and Middle-Aged Actresses
    • Special Index: Women's History Plays
    • Special Index: Romantic Plays with Happy Endings
  • Touring Work
    • Performances >
      • Lace Curtain Irish
      • Crossing the Rapelands
      • The Parmachene Belle (performance)
      • Calamity Jane Sends a Message to Her Daughter (performance)
      • Gage on Stage
    • Lectures >
      • Lizzie Borden and Lesbian Theatre
      • The Secret Life of Lesbians
      • Paradigms and Paradigm-Shifting
      • When Sex Is Not the Metaphor For Intimacy
      • Meeting the Ghost of Hamlet's Father
      • A Theatrical Journey Through Maine's Lesbian History
      • Tara and Other Lies
      • Teena Brandon's Inconvenient Truth
    • Workshops >
      • The Art of the Dramatic Monologue
      • Acting Lesbian
      • Interrupting Racism: A Workshop
      • Playwriting Techniques for Poets and Fiction Writers
      • Ugly Ducklings Workshop
    • Residencies
    • The Lesbian Tent Revival >
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      • Sermons for a Lesbian Tent Revival
      • Supplemental Sermons
      • Hotter Than Hell
      • The Synapse Pendant
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Hrotsvitha's Vision
A Two-Minute Monologue
Paperback
eBook (PDF)
eBook (EPUB)
Kindle

Picture
Hrotsvitha’s prayers are interrupted by a vision of woman, Christopher Marie St. John, who is translating her dramas a thousand years in the future. In the vision, Hrotsvitha becomes aware that the woman has become demoralized and she has stopped working. Her original manuscript was destroyed by fire during the Easter Rising in Dublin.
 
Hrotsvitha becomes very angry and lectures her future translator about how war is used to distract women from focusing on the great secret for liberation, which is the secret text of all her plays. Revealing the secret, she exorts Christopher to start over, again and again, if necessary to transmit this radical message.
 
1 woman, 50’s
2 minutes
Single set

 

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