Carolyn Gage
  • Home
    • Butch Visibility Project
    • Bio and Vitae
    • Endorsements
    • Production History
    • Catalog of Books and Plays
    • Online Essays >
      • Lesbian Culture and History Essays
      • Theatre Essays
      • Feminist Essays
      • Reviews
    • Interviews >
      • Audio/Video Interviews
      • Print Interviews
  • Books and CD's
    • Gage Play Anthologies
    • Feminist Thought And Spirituality
    • Lesbian Theatre
    • CD's and DVD's
    • Anthologies with Other Authors
    • Journal Anthologies
  • Plays
    • One-Woman Shows >
      • The Second Coming of Joan of Arc
      • La Seconde Venue de Jeanne d'Arc
      • La segunda llegada de Juana de Arco
      • Joana Dark - a re-volta
      • Die Wiederkehr von Jeanne d'Arc
      • Giovanna d'Arco - la rivolta
      • ВТОРОТО ПРИШЕСТВИЕ НА ЖАНА Д’АРК (Bulgarian tranlsation of The Second Coming of Joan
      • 贞德再临_中文 (Mandarin translation of The Second Coming of Joan of Arc)
      • The Last Reading of Charlotte Cushman
      • Crossing the Rapelands
    • Musicals >
      • The Amazon All-Stars
      • Babe! An Olympian Musical
      • How to Write a Country-Western Song
      • Leading Ladies
      • Women on the Land
    • Full-Length Plays >
      • The Abolition Plays
      • The Anastasia Trials in the Court of Women
      • AXED!
      • Black Star
      • Coming About
      • Esther and Vashti
      • The Goddess Tour
      • In McClintock's Corn
      • Restell
      • Sappho in Love
      • The Spindle
      • Stigmata
      • Thanatron
      • Ugly Ducklings
    • One-Acts >
      • Ain't Got No - I Got Life
      • The A-Mazing Yamashita and the Millennial Gold-Diggers
      • Artemisia and Hildegard
      • Battered on Broadway
      • Bite My Thumb
      • The Boundary Trial of John Proctor
      • Cookin' with Typhoid Mary
      • The Countess and the Lesbians
      • The Drum Lesson
      • Easter Sunday
      • Entr'acte or The Night Eva Le Gallienne Was Raped
      • The Evil That Men Do: The Story of Thalidomide
      • Female Nude Seated
      • The Gage and Mr. Comstock
      • The Greatest Actress Who Ever Lived
      • Harriet Tubman Visits A Therapist
      • Head in the Game
      • Hermeneutic Circlejerk
      • Heterosexuals Anonymous
      • Jane Addams and the Devil Baby
      • A Labor Play
      • Lace Curtain Irish
      • Lighting Martha
      • Little Sister
      • Louisa May Incest
      • Mason-Dixon
      • The Obligatory Scene
      • The P.E. Teacher
      • The Parmachene Belle
      • The Pele Chant
      • Planchette
      • The Poorly-Written Play Festival
      • Radicals
      • Reef Point
      • The Rules of the Playground
      • St. Frances and the Fallen Angels
      • Souvenirs from Eden
      • Starpattern
      • 'Til the Fat Lady Sings
      • Valerie Solanas At Matteawan
    • Short Short Plays >
      • 52 Pickup
      • At Sea
      • Black Eye
      • El Bobo
      • Brett Hears the Mountain Gods
      • Calamity Jane Sends a Message to Her Daughter
      • The Clarity of Pizza
      • The Great Fire
      • Hrotsvitha's Vision
      • The Intimacy Coordinator
      • The Ladies' Room
      • Miss Le Gallienne Announces the New Season
      • On the Other Hand
      • Patricide
      • The Pickle Play
    • Dramatic Adaptations >
      • Amy Lowell: In Her Own Words
      • Brett Remembers
      • Deep Haven
      • El Bobo (one-act play)
      • El Bobo (short screenplay)
      • Emily & Sue >
        • Touring Production of Emily & Sue >
          • The Creative Team
          • Director's Vision
          • Adaptor's notes
          • Open Me Carefully
      • Georgia and the Butch
      • I Have Come to Show You Death
      • Speak Fully The One Awful Word
      • We Too Are Drifting (Screenplay)
    • Special Index: Plays That Deal with Sexual Violence Against Women and Girls
    • Special Index: Plays Featuring Old and Middle-Aged Actresses
    • Special Index: Women's History Plays
    • Special Index: Romantic Plays with Happy Endings
  • Touring Work
    • Performances >
      • Lace Curtain Irish
      • Crossing the Rapelands
      • The Parmachene Belle (performance)
      • Calamity Jane Sends a Message to Her Daughter (performance)
      • Gage on Stage
    • Lectures >
      • Lizzie Borden and Lesbian Theatre
      • The Secret Life of Lesbians
      • Paradigms and Paradigm-Shifting
      • When Sex Is Not the Metaphor For Intimacy
      • Meeting the Ghost of Hamlet's Father
      • A Theatrical Journey Through Maine's Lesbian History
      • Tara and Other Lies
      • Teena Brandon's Inconvenient Truth
    • Workshops >
      • The Art of the Dramatic Monologue
      • Acting Lesbian
      • Interrupting Racism: A Workshop
      • Playwriting Techniques for Poets and Fiction Writers
      • Ugly Ducklings Workshop
    • Residencies
    • The Lesbian Tent Revival >
      • Testimonials
      • The Lesbian Tent Revival Radio Hour Podcasts
      • The Lesbian Tent Revival Sermon on Dying Well
      • Sermons for a Lesbian Tent Revival
      • Supplemental Sermons
      • Hotter Than Hell
      • The Synapse Pendant
    • Cauldron & Labrys >
      • A Brief History
      • Upcoming Productions
  • Calendar
  • Contact/Storefront
    • Privacy Policy
  • Blog

Lizzie Borden and Lesbian Theatre:
Axes to Grind

Picture
Sholom Asch's God of Vengeance
Highly entertaining and theatrical, multi-cultural lecture on the history of lesbian theatre in the States, including European American actress Eva Le Gallienne, African American playwright Angelina Weld Grimké, and Yiddish playwright Sholom Asch.Tisch, NYU, NYC.
  • Bates College, Lewiston, ME.
  • University of Nebraska, Lincoln.
  • Washington College, Chesterton, MD.
  • SUNY Geneseo
  • Santa Rosa Junior College, Santa Rosa, CA.
  • Univ. of Connecticut, Stamford.
“Ms. Gage’s visit to Washington College was inspiring. Her passion for what she does is so obvious and her intellect so impressive that students and faculty alike were immediately and permanently engaged by her presentation and presence. Washington College is, in part, known for it’s writing program. We have regular visits by well known writers—everyone from Edward Albee and Israel Horovitz to Toni Morrison and John Barth in recent years. I can honestly say I have never seen students so enthusiastic about a guest. Another thing that is unusual and impressive is that she has kept in touch with several of our students since her visit. One of the things I was most impressed with was the clarity of her aesthetics and politics. This is a person who does not apologize for her agenda or the militancy necessary to further that agenda. The amazing thing is she combines that unswerving commitment with compassion, understanding, warmth, and generosity. She is totally committed to her art in a way that is truly inspiring. Don’t let the lesbian/feminist moniker scare you, this is a formidable artist in every way.” --Dale Daigle, PhD., Theatre Department Chair, Washington College, Chesterton, MD.

“Carolyn Gage’s writing, acting, and teaching are explosive. She rips away the cultural camouflage that permits us to accept, to be blind to, the brutal context in which women are still required to live their lives. When my students remember this semester it will be because of her visit. She’s a treasure.” --Prof. George Wolf, Dept. of English, University of Nebraska, Lincoln.

Powered by Create your own unique website with customizable templates.